Showing posts with label Dress Rehearsal. Show all posts
Showing posts with label Dress Rehearsal. Show all posts

Saturday, June 21, 2014

The Castleton Diaries: Week 4- “Get that child off the stage!” and the Hiking Trip that Wasn’t

Not too much happened this week to be honest. Everyone is really starting to reach beiling point because the opening night is next Saturday, June 28th. People are busy with rehearsals and recovering mentally from rehearsals. Sitzprobe and full staged runthroughs in the theater have begun for Madama Butterfly, the final staging rehearsals for Don Giovanni were completed at the local elementary, and orchestral rehearsals for the symphonic concerts have been going and going as they are allotted. 
The Orchestra Management Work Corner
            One thing that happened on Sunday was that my housemates and I were to go to Shennandoah National Park for a nature hike. That day, I decided to go shopping at Walmart for a few house necessities: shower mat, dustpin, water bottles, and air fresheners. When I got back, I found the house was empty except for me. Everyone was gone and I assumed that they left without me. So I drove out to the park, spent $15 on admittance, and drove up the mountain, enjoying the incredible views. Absolutely breathtaking. Too bad that when I finally got a message to one of them, it turned out they went to the pool at Meadows house across from the festival tent. So after taking some more pictures, I rushed back to Castleton, pissed that no one had informed of their change in plans. Luckily, they had never meant to leave me out of the trip had it happened. So we spent the rest of the afternoon at the pool, playing ball and barbequing. It was a much-needed break from all the hubbub.
Shenandoah National Park
            The rest of the week has been nonstop rehearsals. We finally started in the theater on Tuesday, after a few sitzprob with both show casts. I was very impressed with the design of the sets and backgrounds. I will be even more impressed once decisions of the background projections are finalized. Otherwise, everything is absolutely beautiful. There was one staging direction that went from beautiful to hilariously distracting of one person: Trouble. Of course, I mean the child actor who plays Butterfly’s child. In the scene where Butterfly and Suzuki set flowers on the floor, the way the scene is originally set is to have just the two of them. But the director wanted the child to join in setting out the flower petals. But she was too distracting, and Maestro Maazel would not have it. She was removed from that part of the scene so that it would just be a beautiful moment between to friends finding great joy in Pinkerton’s return.
A view of the pit
            This past Thursday, I made a trip out to Maryland. I was informed the day before that I would be driving two of the orchestra members to different shops in order to pick up their rental instruments for the remainder of the festival. Luckily the shops were only 20 minutes apart. L & L Music was in Gaithersburg, where my roommate Rupert got a rental horn. The cellist Stephanie had to go to Bethesda to get a cello at Potter Violins. Both store staff were great to talk to and very understanding of the time restraints and international issues for ID. They were also very impressed on our being part of Castleton. I would definitely recommend to those who need good shops to go to. And luckily, we had an enjoyable time in the car, discussing our favorite and least favorite music, the people we left behind at home, and how much we couldn’t get the festival music out of our heads. And after making a lunch break at Firehouse Subs, which was incrediblely delicious (better than Subway even), I made it back to drop them at the rehearsal in time. Good thing I get reimbursed for gas for errands in my personal car, because I probably used as much as gas that day as I had originally purchased that morning.
            Besides finally having a functioning printer/copy machine again, there isn’t much else going on. I will let you faithful readers know that the opening night of Madama Butterfly will be streamed online. So I hope that you will either come out to Castleton to view the operas and concerts, or watch the opera opening nights online. More info on that soon.


Until next time, this has been The Castleton Diaries.

Tuesday, January 15, 2013

Review: Le Comte Ory Dress Rehearsal at Metropolitan Opera, 1/14/13

This past Monday, I was lucky enough to attend the final dress rehearsal for the upcoming revival of Le Comte Ory at the Metropolitan Opera. I would like to the Met Opera Student Program and the Ambassadors program, of which I am a member. For those of you who are unfamiliar with this production, Director Bartlett Sher took on this tale of a mischevious and horny young count who attempts to "conquer" a beautiful countess while her brother is away at the Crusades back in 2011. He set the production in an old French theater which is putting on Le Comte Ory, complete with a Prompter, curtains, a stage, flyers, and crew to light sets, move scenery, and even create a storm. The show begins even before the overture, as the prompter and crew prepare the stage. But the overture begins when the prompter bangs his staff. 

I saw most of this production on PBS Thirteen back in 2011, but it was nice to see it in person. Eventhough I knew most of the gags, it was incredibly entertaining.

Cast (In Order of Appearance):
Prompter (silent): Rob Besserer
Raimund: Nathan Gunn
Alice: Ashley Emerson
Ragonde: Susanne Resmark
Count Ory: Juan Diego Florez
The Tutor: Nicola Ulivieri (DEBUT)
Isolier: Karine Deshayes
Countess Adele: Pretty Yende (DEBUT)
Courtiers: Scott Scully, Tyler Simpson

The chorus, first off, was perfect as usual. For a Rossini opera, it was very chorus heavy at times, as compared to Il Barbiere di Siviglia, another production Mr. Sher has done for the Met. The orchestra, conducted by Maurizio Benini, also brilliant. I am a lover of the sets and costumes and usage of old theater technology and gimmicks to bring a true uniqueness to the show.

JDF, or Mr. Florez, was superb in his role of the count, just as he was back in 2011. Despite a few mishaps with his coat and wig, he never broke character even when these problems arose. Neither did Rob Besserer, who was a brilliant prompter, even though he is not the real deal. And applause goes to the rest of the cast. Especially Pretty and Karine, performing their respective roles for the first time at the Met. Ms. Yende has a great future ahead of her, she sang with great bel canto beauty. And Karine Deshayes was a fully energetic Isolier. Nicola Ulivieri, also making  debut at the house, sang his first act aria well.

Its hilarious, contains sexual escapades, and men dressed in nuns costumes getting drunk. Whats not to love? Go see it if you havent done so, or go see it again with these brilliant young singers.

The revival opens at the Metropolitan Opera this Friday the 18th. For tickets, visit metopera.org