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"What is Man?" According to women, all men are Cavemen! Thus begins the idea for the Hofstra Opera Theatre production of Gilbert and Sullivan's Princess Ida. The 8th of their 14 collaborations, the opera is about a prince who seeks to regain the princess betrothed to him at the age of two years old. However, she has formed a women's university and cut herself off from men, thinking them stupid, vile, and disgusting creatures. How does this idea get translated to a modern production? By showing the extremities of separatism between men and women, in the eyes of womankind. Director Isabel Milenski has taken the medieval storyline and set it in 50,000 BP (Before Present).
Act One takes place in a primitive caveman dwelling. There are rocks, piles of wood, and even a rack to hang dead animal carcasses. It is essentially the world of man as seen from the viewpoint of women of Ida's University. King Hildebrand, Prince Hilarion, Florian, Cyril, and the rest of the kingdom are all neanderthals. They are uneducated, wild creatures. Suddenly, they have their first welcomed guests, King Gama and his three sons, who represent the other side of man as seen by women: Greedy Wall Street Tycoons. (We apologize that this may not make sense historically. The director did not seek to recreate a historically accurate setting.)
Act Two moves the action to Princess Ida's all women's university at Castle Adamant. She and the other ladies are models of class and distinction. They all wear matching uniforms and see themselves as the dominant gender in the world. They do not believe in the regular christian god, but rather give praise to Minerva, or the greek Athena, goddess of learning and strength. This is also important because according to mythology, she was born from Jupiter's forehead.
Act 2: "Gently, Gently": As Hilarion and his friends enter the university, they pass a display showcasing the atrocities of man. Freddy Kreuger, a man on a toilet, a caveman, a football player, and Kim Jong Il.
Act 2: "The World is but a broken toy": When the men, now disguised as lady graduates, meet up with Princess Ida, she sings of how the world has been destroyed of all innocence and peace by men. A large tank rolls behind the display case as the four sing the touchingly beautiful song, a metaphor for the world we live in today.
Act 2: "A Lady Fair of Lineage High": When the boys run into Lady Psyche, she tells them about how evolution proves that man is filthy and vile. She brings the display forward and adds photos of Monkeys to the heads of the figures, and to the men.
Act Three begins with the women preparing for battle. The ground from the display case is cleared and is shown as the merger between the worlds of Act 1 and 2. This is the moment when the ladies and Ida become more like men, because war is not of womanly nature. And after the battle, the ladies begin to associate themselves with men and find they are attractive and not at all bad. When Ida surrenders, she decides that her separatist views will not help the world. She must share the knowledge she has learned with the world in order to make it a better place. She and the other women leave the university and join the cavemen, who are pure and innocent creatures, to rebuild the world.
Thoughts? Leave a comment below. Share with your friends. Come see Princess Ida at the John Cranford Adams Playhouse at Hofstra University on February 1st and 2nd at 8pm, and February 3rd at 3pm.
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